Brett Whiteley was never shy when it came to measuring himself against the masters. 28-29, Sydney, Mar 2012, 28, 29 (illus.). In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. Their only child, daughter Arkie Whiteley, was born in London in 1964. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. Brett Whiteley, 'Self portrait in the studio' (1976) In the former, Whiteley's face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. Terry Ingram discusses current art market, and valuation of Whiteley's work. This article appears in 'The Arts' section of the newspaper. 1 whit.jpg. Bill Gregory, Art and Australia (Vol. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). Email clairem@ag.nsw.gov.au. Typically, the viewer is led deeper into the picture by means of minute detail. [28], This article is about the artist. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. Clare Gervasoni and Susan Paterson, Catbuster: Art, 1994. cat.no. 201-202, North Ryde, 2010, 202 (colour illus.). Self portrait in the studio 1976 Like many other The painting which was finally produced was made of a fantastic array of elements, including collage, photography and even flashing lights, with a total length of nearly 22 metres. ), 23. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. Jill Sykes, Look, 'Members events', pg. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 plate no. Brett Whiteley is one of Australia's most celebrated artists. His expression is completely blank, as if he wanted only to pause and take stock of himself. And now perhaps just a bit taken with her own image', pg. ), 162 (colour illus.). He left Australia for Europe on 23 January 1960.[4]. Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 1085 (colour illus.). Barry Pearce, Three years on: a selection of acquisitions 1978-1981, 'Australian Art', pg. Source: Art Gallery of New South Wales Archive, Brett Whiteley in his studio, 1976, by Robert Walker Estate of Robert Walker. 9 Shades of Whiteley is a mini-retrospective exhibition tracing the artist's life and career from his earliest work in 1955, with Self Portrait at Sixteen, to just a few months before his death, with Port Douglas, Far North Queensland 1992.. Barry Pearce, Australian painters of the twentieth century, 'Brett Whiteley', pg. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. Stones staring at the ground (anywhere) Brett Whiteley 1979 100.1991.120. Barry Pearce et al., Brett Whiteley education pack, 'Self-Portraits and Other Intimacies', Sydney, 1995, (illus.). His work was not always being praised by critics, although its market value continued to climb. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. Transmission films. John Olsen at the time of print was a board member of the Art Gallery of NSW. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. ), 135 (colour illus.). How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? Tina McGuffie, Mornington Peninsula leader, 'In a haze of art', pg. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. (age29in1975), Brett Whiteley [26], In 2017, a feature-length biographical documentary about Whiteley was released in Australian cinemas. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. In London he excited art dealers and fell under the influence of painters such as Francis Bacon, of whom he later made a series of portraits. David Christian, 'At Lintas advertising agency, Sydney', c1956. Brett Whiteley Self Portrait In The Studio Framed Print . Brett Whiteley - portrait 1 1975 Greg Weight. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. corner, white oil "1975 brett whiteley". His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. Margaret Clarke (Director), Red, black and Whiteley, North Ryde, 2000, 00:00.43 for 3 seconds (colour, detail). unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . The Brett Whiteley Studio, Whiteley & Rees: More affinities, Sydney, 2005, (illus.). Brett Whiteley was born in Sydney on 7 April 1939. 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010, (colour illus.). 9 (verso) in education pack. Leslie Hollings (Editor), The Australian, Sydney, 31 Mar 1979, (illus.). BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. A day at Bondi Brett Whiteley . Share on Facebook Share on Twitter. unknown author., The Australian, 'Under lock and key', Sydney, 19 Jun 1992, 11. In little more than two years Whiteley had moved from a languorous vision of the studio to a sensational, confessional self-portrait set against a pale, terracotta ground. This is the first time a Brett Whiteley exhibition has toured to regional Australia since the Brett Whiteley Studio opened in 1995. signed lower right: brett whiteley. 15-41, London, 1995, 35-36, 145 (colour illus. Greg Weight on working with Jiawei Shen, and starting out as a photographer. Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. Brett Whiteley's 'Self portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. (age36in1975). 15-41, London, 1995, 35, 165 (colour illus. He began a relationship with Janice Spencer, with whom he travelled to Japan, among other countries. Contemporary Art Quilter Pat Pauly's random thoughts and excursions made public. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995 Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of . Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in April 1979. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. ), 81. Jane Hampson, Look, 'wwwhiteley.com', pg. How does it make you feel? Shown in 22 exhibitions. card no. By townxycolter. 23, Sydney, 2008, 3, 22 (colour illus. Alan McCulloch and Susan McCulloch, The Encyclopedia of Australian Art, St Leonards, 1994, 648-49 (colour illus.). . Brett Whiteleys 'Self portrait in the studio exudes a sense of sumptuous living and the liquid presence of the harbour through what he called the ecstasy-like effect of ultramarine blue. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. card no. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). ), 205 (colour detail illus.). Brett WhiteleySelf Portrait In The Studio 1976Music: 4 minute excerpt from The Pipes of Pan at Joujouka (Brian Jones 1968)Track: Your Eyes Are Like A Cup of . This clip shows Brett Whiteley's artworks in his studio intercut with black-and-white photographs of him as a child. Robert Hughes, art critic for 'Time' magazine was quoted several times throughout this article. Year. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. Unresolved: Release in which this issue/RFE will be addressed. Brett said he had wanted it to scare himself straight. [1]. The coroner's verdict was 'death due to self-administered substances'. Brett Whiteley AO (7 April 1939 15 June 1992) was an Australian artist. 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. [3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. From $33.34. 40, No. By vintage wall art. Artist Natasha Walsh with her nearly completed Archibald Prize entry, a riff on Brett Whiteley's winning piece, 'Self-portrait in the studio'.Janie Barrett. It has primarily black on one side and has an image of his wife Wendy in a bathtub, seen from behind. 07 Apr 1939 In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. Art Gallery of NSW. 21, Sydney, 2008, 20 (colour illus. IMAGE CREDIT: Brett Whiteley (1939-1992) Self portrait drawing calligraphically 1975. 20, No. He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 . Summer at Carcoar Brett Whiteley 1977. The artist destroyed this work after completion, finding it both disturbing and confronting. 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. morning, Available for everyone, funded by readers. 30-35, London, 2013, 31 (colour illus.). Lou Klepac, Brett Whiteley Drawings (2013). Greg Weight (b. 07 Apr 1939 He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst.

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